words return to sound – silence is the alter ego of vib-ratio – what is important is not the meaning, but awareness – theory fears sound?
become the Samadhi samba inside the mobilis in mobile
be the music player playing it, not the written music waiting to become
representations aren’t things – they can create theatrical sets that give us space to put things, even if there are no «real» things – feel the transitions, but forget the hypothetic permanence of whatever
language is not being, and logic doesn’t give us direct access to the absolute – words aren’t worlds – the sound of words through the body change the world
vib-ratio frees the dancer and excites the viewer – art without experimentation disembodies – you become a mind slave
you are not a concept, nor an archetype – forget what you think you are – get rid of intentions – intention fakes – pretentiousness starts in the wanting to say very important things – just bloom
the absolute is a kind of abduction using the lute
progress in returning, become through beauty – wishing is washing
the spontaneity, at last, after «forced spontaneity»
Thursday, June 14, 2007
vib-ratio 3
vib-ratio 2
art is the pleasure of linking the circular causalities of our ego to stochastic processes – ego only plays the role of consciousness driving through metamorphic games
vib-ratio is the awareness of awareness and non-awareness – art is trembling through enthusiasm
paradox, and the coincidence of opposites, shake the knowledge - omnivorous consciousness, malicious art
the whole palette of styles acts as virtual liberations – style is a special case of vib-ratio, at the same time reducing and opening potentialities with chords of causality – styles are particular tremblings – through the tremor of the style become the great earthquake that trembles everything
if you create styles, styles don’t limit you – creation frees, fashion is an hybrid adjustment to strange dominant powers
become what shakes in styles or cultures – don’t fight against particularities because they are changing – don’t be afraid of generalities, they are the best way to concentrate great power in small things – even super-abstractions are being transformed
become one with the multitude of shakings – become many with the great shake-shake – while inactive you surf in vib-ratio waves – there is no real quietness in the world
radical emotions reveal how deep we are trembled – art shows and propagates waves of emotional radicalism
there is an alchemy of energy and sound that flows in the bodies – art intensifies energy, linking what was fighting, dissociating harmony
lucidity is the state we can enjoy when we are drunk of consciousness
theory is masked mantra – it dissimulates power actions inside the theatrical economy of abstraction
Non-totalitarian concentration – endless und fulfilling desire
the identification of our autos with world autos is radical empathy, and the basis of autonomy – art is the in-between – ornament, patterning
our own theatrical behaviour (the play of ourselves playing our self) makes no difference with the Absolute
liberation is the libidinal hybridisation of Being
meditation is the concentration camp of vibrations
not ec-stasy nor even en-stasy, but an ecology of aesthetic-ecstatic-enstasic states
wash the wishes
eat the heart of the art
art disappears in the comfort of the sameness – you cannot forget world vibrato
everything is tuning everything – disharmony is thunderous tuning
nature and the absolute need disharmony in order to revel harmony better
retain vib-ratio every moment – so life becomes much more than art
to be tuned with the vib-ratio is to feel all the harmonics of the main sound
courage is openness – openness begins in the chest… or in the art
the autos is revealed in extreme desire – desire is the experimental path
senses un-slave – intense sensibility is Samadhi – the ego vanishes in the laughter
Vib-ratio sentences
because we believe in the
immanence of the absolute
we are born to the immediate
in all its shaking forms
art is the magnet of superabundance and of emerging strength – if you open your eyes art becomes, if you close your eyes you become a multiple oneness with art
vib-ratio is the string where creation comes and goes – the sound returns to the moving «silence» - silence is sound inside the sound returning to the sound – form/formless is elasticity of waves mothering things
there is no quiet source, but all sources all somewhere – plurality is interconnection, movement of connections immerging, illusion pretending to mask illusion, but unmasking itself in the process itself
egos and authorships are plays – masks don’t mask but reveal the potentiality of the plots – our nature dwells in it’s movements – being enjoys variations
body consciousness is mimesis – body is consciousness – spaces appeal to games – nature, or the absolute, is the great performer – empathy, or mimicry, is the best adequation to the plots
freedom is the capacity to form and un-form, or to stop forming – forms may look informal, but they remain forms
matter is consciousness – it can be light or heavy, it can be reluctant to transformation and at the same the velocity of transformation itself – freedom is, at last, richness in translation
vib-ratio is the string that plays all sounds – is sound bringing up all the senses, forms, thoughts- egos are like jokes – egos may look like disconnections – desire is the agent of reconnections – illusion is like a meantime – time is the sum of the multiple meantime’s of each
then everybody realizes that innate nature is merely the genetic code – the genetic code brings with it the desire of being more than genetic restrains – art expands this desire – immersion in the world, going on in the big party of forms – inventing «other» worlds for a while
if artists are reluctant to society rules, why do they wish to be participants in the cynically omnivorous art world and search most of all for recognition
if complexity could be contemplated where should we start to play the strings of conscience?
the non-absence of the world gives us the illusion that there is only playful illusion and absence – art is the proof of non-vacuity, because illusions says something, and that something reveals the truthfulness and the friendliness of formations and destructions
actors and acting are mixed – action dissolves into other actions – there are no act fruits – causality is just the faking idea that language or some formula can appropriate events- ego is the pleasure of considering ourselves as the main causality
Tuesday, May 29, 2007
o jogo de si com si (by el frique!)
conceito com e sem conceito
«o paradigma assinto»
mantra in progress
É uma grande máquina de conhecimento.