vib-ratio 3

1. 
   words return to sound – silence is the alter ego of vib-ratio – what is important is not the meaning, but awareness – theory fears sound?


2. 
   become the Samadhi samba inside the mobilis in mobile


3. 
   be the music player playing it, not the written music waiting to become


4. 
   representations aren’t things – they can create theatrical sets that give us space to put things, even if there are no «real» things – feel the transitions, but forget the hypothetic permanence of whatever


5. 
   language is not being, and logic doesn’t give us direct access to the absolute – words aren’t worlds – the sound of words through the body change the world


6. 
   vib-ratio frees the dancer and excites the viewer – art without experimentation disembodies – you become a mind slave


7. 
   you are not a concept, nor an archetype – forget what you think you are – get rid of intentions – intention fakes – pretentiousness starts in the wanting to say very important things – just bloom


8. 
   the absolute is a kind of abduction using the lute


9. 
   progress in returning, become through beauty – wishing is washing


10. 
    the spontaneity, at last, after «forced spontaneity»

vib-ratio 2

art is the pleasure of linking the circular causalities of our ego to stochastic processes – ego only plays the role of consciousness driving through metamorphic games

vib-ratio is the awareness of awareness and non-awareness – art is trembling through enthusiasm

paradox, and the coincidence of opposites, shake the knowledge - omnivorous consciousness, malicious art

the whole palette of styles acts as virtual liberations – style is a special case of vib-ratio, at the same time reducing and opening potentialities with chords of causality – styles are particular tremblings – through the tremor of the style become the great earthquake that trembles everything

if you create styles, styles don’t limit you – creation frees, fashion is an hybrid adjustment to strange dominant powers

become what shakes in styles or cultures – don’t fight against particularities because they are changing – don’t be afraid of generalities, they are the best way to concentrate great power in small things – even super-abstractions are being transformed

become one with the multitude of shakings – become many with the great shake-shake – while inactive you surf in vib-ratio waves – there is no real quietness in the world

radical emotions reveal how deep we are trembled – art shows and propagates waves of emotional radicalism

there is an alchemy of energy and sound that flows in the bodies – art intensifies energy, linking what was fighting, dissociating harmony

lucidity is the state we can enjoy when we are drunk of consciousness

theory is masked mantra – it dissimulates power actions inside the theatrical economy of abstraction

Non-totalitarian concentration – endless und fulfilling desire

the identification of our autos with world autos is radical empathy, and the basis of autonomy – art is the in-between – ornament, patterning

our own theatrical behaviour (the play of ourselves playing our self) makes no difference with the Absolute

liberation is the libidinal hybridisation of Being

meditation is the concentration camp of vibrations

not ec-stasy nor even en-stasy, but an ecology of aesthetic-ecstatic-enstasic states
wash the wishes
eat the heart of the art
art disappears in the comfort of the sameness – you cannot forget world vibrato

everything is tuning everything – disharmony is thunderous tuning

nature and the absolute need disharmony in order to revel harmony better

retain vib-ratio every moment – so life becomes much more than art

to be tuned with the vib-ratio is to feel all the harmonics of the main sound

courage is openness – openness begins in the chest… or in the art

the autos is revealed in extreme desire – desire is the experimental path

senses un-slave – intense sensibility is Samadhi – the ego vanishes in the laughter

Vib-ratio sentences

because we believe in the
immanence of the absolute
we are born to the immediate
in all its shaking forms

1. 
   
   art is the magnet of superabundance and of emerging strength – if you open your eyes art becomes, if you close your eyes you become a multiple oneness with art


2. 
   vib-ratio is the string where creation comes and goes – the sound returns to the moving «silence» - silence is sound inside the sound returning to the sound – form/formless is elasticity of waves mothering things


3. 
   there is no quiet source, but all sources all somewhere – plurality is interconnection, movement of connections immerging, illusion pretending to mask illusion, but unmasking itself in the process itself


4. 
   egos and authorships are plays – masks don’t mask but reveal the potentiality of the plots – our nature dwells in it’s movements – being enjoys variations


5. 
   body consciousness is mimesis – body is consciousness – spaces appeal to games – nature, or the absolute, is the great performer – empathy, or mimicry, is the best adequation to the plots


6. 
   freedom is the capacity to form and un-form, or to stop forming – forms may look informal, but they remain forms


7. 
   matter is consciousness – it can be light or heavy, it can be reluctant to transformation and at the same the velocity of transformation itself – freedom is, at last, richness in translation


8. 
   vib-ratio is the string that plays all sounds – is sound bringing up all the senses, forms, thoughts
   


9. egos are like jokes – egos may look like disconnections – desire is the agent of reconnections – illusion is like a meantime – time is the sum of the multiple meantime’s of each


10. 
    then everybody realizes that innate nature is merely the genetic code – the genetic code brings with it the desire of being more than genetic restrains – art expands this desire – immersion in the world, going on in the big party of forms – inventing «other» worlds for a while


11. 
    if artists are reluctant to society rules, why do they wish to be participants in the cynically omnivorous art world and search most of all for recognition


12. 
    if complexity could be contemplated where should we start to play the strings of conscience?


13. 
    the non-absence of the world gives us the illusion that there is only playful illusion and absence – art is the proof of non-vacuity, because illusions says something, and that something reveals the truthfulness and the friendliness of formations and destructions


14. 
    actors and acting are mixed – action dissolves into other actions – there are no act fruits – causality is just the faking idea that language or some formula can appropriate events
    


15. ego is the pleasure of considering ourselves as the main causality

o jogo de si com si (by el frique!)

a abstração geométrica carnavalando é a consciencia que conscientemente se performa teatralmente

carnavalar é sobrar-se, sossobrar-se, desdobrar-se para um dentro-fora

quando o pensamento é sobreabundante num mundo que já é excesso, então a consciencia encena-se como:

a) luto

b) curte a festa

c) algo que anda entre o luto e a festa

o que é que diziam os nominalistas- as coisas são só coisas: as abstrações são interpretações simplistas do que é estrutural ou essencial nas coisas

o que dizem os platónicos/realistas - as abstrações são o real: as coisas são versões degradadas de arquétipos (ou de conceitos puros). Em suma, as coisas são complicadas, impuras e não-essenciais.

Nas tradições paradoxologicas (tantricas-maneiristas), o Ser e a Doxa, o Braman e Maya, o Nirvana e o Samsara, são «como que» idênticos - as coisas são coisas assim como as suas reduções e estruturas

É a consciencia que «liberta» (o trabalho, pelo contrário & hitlerianamente, escraviza)

Efectivamente é a consciência, os seus fluxos e a abstracção que libertam (citta/vritti/nirodha)

A liberdade é a possibilidade, não de suprimir a consciência, mas de assumir diversos papeis.

A pluralidade de papeis não é um mal, porque todos os papeis libertam

a liberdade é «prazer» - o gozo. Divertindo-se na dança da consciencia

(isto é tão frique!)

conceito com e sem conceito

«link (or yoga) is

consciousness/vib-ratio/retaining

or

awareness/fluxus/abstraction»

two possible translations

concepts are with-out concept

concepts exist because there are connections of words

counsciousness is the identification that something is linking the links

is it us? is it a player? are we played?

abstraction is a reduction, a contraction, what is retained

abstraction is about retaining the maximum meaning in the most powerfull reductive version/fashion

there are no abstractions without «the role of abstraction»

different styles are ways of performing different roles

consciousness is something in space and time playing the role of transcending space and time - there is no consciousness or things outside space and time

painting raises the consciousness of forms, colours, structures and concepts

philosophy is the mental space where we love to play «abstractly» with more or less abstract words

allegoric abstraction is the double game that connects painting and philosophy

«o paradigma assinto»

Escreveu M. Vieira (é bom citá-lo)

«A moda na Holanda e nos países baixos dava-me a
impressão que perdia o meu tempo. Mas será perder
o tempo apanhar sol na cara e terra nos pés? »

«Os budas não servem para Nada.
A revolução social e a moda na Holanda
não serão a mesma coisa?»

«Ah! O campo!»

mantra in progress

os shiva sutras dizem que

a mente é consciência

a mente é mantra

o conhecimento é os bhandas (lingações activas)

etc.

a homeostética falava desde o ínicio de um mantra in progress

e que O RISO (sem adjectivos)
É uma grande máquina de conhecimento.

no fundo o riso é o grande bhanda, o grande link, o grande gesto

ou como dizem os adeptos do dzogchen, o mahamudra

não podemos dissassociar a consciência (se Si) do Riso

o que é absoluto absolve e ri

por isso não é o espaço que faz rir, o espaço é uma contração do riso