because we believe in the
immanence of the absolute
we are born to the immediate
in all its shaking forms
art is the magnet of superabundance and of emerging strength – if you open your eyes art becomes, if you close your eyes you become a multiple oneness with art
vib-ratio is the string where creation comes and goes – the sound returns to the moving «silence» - silence is sound inside the sound returning to the sound – form/formless is elasticity of waves mothering things
there is no quiet source, but all sources all somewhere – plurality is interconnection, movement of connections immerging, illusion pretending to mask illusion, but unmasking itself in the process itself
egos and authorships are plays – masks don’t mask but reveal the potentiality of the plots – our nature dwells in it’s movements – being enjoys variations
body consciousness is mimesis – body is consciousness – spaces appeal to games – nature, or the absolute, is the great performer – empathy, or mimicry, is the best adequation to the plots
freedom is the capacity to form and un-form, or to stop forming – forms may look informal, but they remain forms
matter is consciousness – it can be light or heavy, it can be reluctant to transformation and at the same the velocity of transformation itself – freedom is, at last, richness in translation
vib-ratio is the string that plays all sounds – is sound bringing up all the senses, forms, thoughts- egos are like jokes – egos may look like disconnections – desire is the agent of reconnections – illusion is like a meantime – time is the sum of the multiple meantime’s of each
then everybody realizes that innate nature is merely the genetic code – the genetic code brings with it the desire of being more than genetic restrains – art expands this desire – immersion in the world, going on in the big party of forms – inventing «other» worlds for a while
if artists are reluctant to society rules, why do they wish to be participants in the cynically omnivorous art world and search most of all for recognition
if complexity could be contemplated where should we start to play the strings of conscience?
the non-absence of the world gives us the illusion that there is only playful illusion and absence – art is the proof of non-vacuity, because illusions says something, and that something reveals the truthfulness and the friendliness of formations and destructions
actors and acting are mixed – action dissolves into other actions – there are no act fruits – causality is just the faking idea that language or some formula can appropriate events- ego is the pleasure of considering ourselves as the main causality
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